Announcement
Assistant Director's Report
Become a Friend
Director's Report
Events
Exhibition Highlight
Exhibitions
Featured
Field Reports
Lectures
Programs
EODIAH Research Center
Scholar Reports
Art and Biology
Art and Medicine
Conservation Science
EODIAH Fellows
ISAAC
Islamic Art
Naples
Uncategorized
Upcoming Events
Vol 1 Issue 1
Vol 1 Issue 2
Vol 2 Issue 1
Vol 2 Issue 2
Vol 2 Issue 3
Vol 3 Issue 1
Vol 3 Issue 2
Vol 3 Issue 3

Dallas Museum of Art Announces Acquisition of Yayoi Kusama Mirror Room

All the Eternal Love I Have for the Pumpkins is the first Mirror Pumpkin Room created by Kusama Since 1991

The Dallas Museum of Art (DMA) announced the acquisition of Yayoi Kusama’s All the Eternal Love I Have for the Pumpkins (2016), one of the artist’s signature Infinity Mirror Rooms. The installation is the first mirror pumpkin room created by Kusama since 1991, and the only Infinity Mirror Room of its kind in a North American collection. Showcasing Kusama’s singular approach to installation, the acquisition adds a new dimension to the representation of Conceptual art, Pop art, Minimalism and Surrealism in the DMA’s acclaimed modern and contemporary art collection. The work has been acquired through the generous support of collectors Cindy and Howard Rachofsky and will be on view October 1, 2017 through February 25, 2018.

“All the Eternal Love I Have for the Pumpkins provides opportunities to explore a range of contemporary art movements within our collection, as well as the undeniable influence of Kusama across decades,” said Agustín Arteaga, the DMA’s Eugene McDermott Director. “We are excited to share this boundary – pushing, experiential work with our visitors and to be the only museum in North America to have one of Kusama’s pumpkin-themed mirror rooms represented in our collection.”

With All the Eternal Love I Have for the Pumpkins, Kusama incorporates one of her quintessential symbols, the spotted pumpkin. Similar to her seminal pumpkin room, Mirror Room (Pumpkin) (1991), which was created for the Japanese Pavilion at the 1993 Venice Biennale, All the Eternal Love I Have for the Pumpkins focuses the reflective chamber on a series of acrylic yellow gourds covered in black polka dots.Withthismorerecentwork,Kusamaexpandsonthe1991 MirrorRoombyallowingviewersto step inside the mirrored space and fully immerse themselves in Kusama’s creation, becoming part of the art. Drawing on several of Kusama’s characteristic themes, including infinity, the sublime and obsessive repetition, the work creates an immersive and captivating visitor experience.

“This major installation highlights one of Kusama’s most intense moments of innovation, in a pioneering six decades of artistic production that has traversed Conceptual art, Pop, Surrealism and Minimalism,” said Gavin Delahunty, the Hoffman Family Senior Curator of Contemporary Art. “The Infinity Mirror Rooms are key to understanding her practice, and as such we are delighted to welcome it to Dallas, joining several other major works by the artist in our community.”

Initiated by Delahunty, in close partnership with the Rachofskys, the acquisition of All the Eternal Love I Have for the Pumpkins is jointly owned by the DMA and the Rachofsky Collection.

READ MORE about the DMA’s new acquisition.