Tag: Eduardo Chillida

Meadows Museum Exhibitions, Events, and Lectures

Exhibitions

Memory, Mind, Matter: The Sculpture of Eduardo Chillida 

Through Jun. 3, 2018

Eduardo Chillida (1924-2002) is one of the major sculptors of the post-war international art movement. His monumental public works can be found throughout Spain, Europe and the Americas. Memory, Mind, Matter: The Sculpture of Eduardo Chillida presents 66 works of sculpture, drawing, collage, gravitations, graphic works, and a small selection of artists’ books, representing a general view of the mature phase of this key sculptor of the post-war avant-garde.

 

Mariano Fortuny y Marsal (Spanish, 1838–1874), Beach at Portici, 1874. Oil on canvas, 27 x 51 ¼ in. (68.6 x 130.2 cm). Meadows Museum, SMU, Dallas. Museum Purchase with funds from Mary Anne Cree, Mrs. Eugene McDermott, Susan Heldt Albritton, Linda P. and William A. Custard, Gwen and Richard Irwin, Shirley and Bill McIntyre, Cyrena Nolan, Peggy and Carl Sewell, Gene and Jerry Jones, Pilar and Jay Henry, Barbara and Mike McKenzie, Caren Prothro, Marilyn Augur, Dr. and Mrs. Lawrence S. Barzune, Diane and Stuart Bumpas, The Honorable Janet Kafka and Mr. Terry Kafka, the Mr. and Mrs. Walter M. Levy Fund of Communities Foundation of Texas, Stacey and Nicholas McCord, Linda and John McFarland, Catherine Blaffer Taylor, Julie and George Tobolowsky, Cheryl and Kevin Vogel, Diane and Gregory Warden, Natalie and George Lee, Estelle and Michael Thomas, Bethany and Samuel Holland, President R. Gerald and Gail Turner, Kathleen and Mark Roglán, and an Anonymous Donor. MM.2017.03. Photo by Robert LaPrelle

At the Beach: Mariano Fortuny y Marsal and William Merritt Chase 

Jun. 24-Sep. 23, 2018

The Meadows Museum, SMU, has acquired Beach at Portici, the last painting of famed Spanish artist Mariano Fortuny y Marsal (1838-1874). The nearly finished painting—which is unusual for its large scale, relative to much of the artist’s work—depicts the enjoyment of a summer day at the beach, and demonstrates Fortuny’s hallmark ability to capture light in paint. Fortuny was an especially popular artist with 19th-century American collectors and audiences, as the particularly American provenance of this work reveals. Reflecting the high esteem in which Fortuny’s works were held, Beach at Portici was featured prominently in the American Pavilion’s “Loan Collection of Foreign Masterpieces Owned in the United States” at the 1893 World’s Columbian Exposition in Chicago. Considered one of the most important international exhibitions of the 19th century, these works were selected to show off to the Fair’s wide audiences— more than 27 million people visited during its six-month run—the richness and breadth of paintings owned by American collectors and museums, and implicitly, American economic prowess, and refined taste in fine art.

Beach at Portici will be on view at the Meadows Museum beginning January 19, 2018. From June 24 through September 23, it will be the subject of a focused exhibition, At the Beach: Mariano Fortuny y Marsal and William Merritt Chase, where it will be paired with a loan from the Amon Carter Museum of American Art, Chase’s Idle Hours (c. 1894). The Spanish artist had a significant impact on many important American artists and perhaps especially on Chase, who knew his work well and greatly admired it.

Read more about “At the Beach”

Murillo at the Meadows: A 400th Anniversary Celebration 

Through Dec. 2, 2018

 

Events

Family Program: A Day at the Beach

Jun. 23, 10:00 am

 

Lectures

Lecture Series: Light, Camera, Landscape: The Rise of International Impressionism

May 31-Jun. 14, 6:00-7:30 pm

Nancy Cohen Israel

Meadows Museum

 

Lecture: At the Beach: Mariano Fortuny y Marsal and William Merritt Chase

Jun. 28, 6:00 pm

Mark A. Roglán and Andrew Walker

Meadows Museum

Meadows Museum Exhibitions and Lectures

Eduardo Chillida (Spanish, 1924–2002), Gure aitaren etxea (1ª versión Nº 2) / Our Father’s House (1st Version No. 2), 1985. Iron. © Zabalaga-Leku. ARS, New York / VEGAP, Madrid, 2017. Courtesy The Estate of Eduardo Chillida and Hauser & Wirth

Exhibition

Memory, Mind, Matter: The Sculpture of Eduardo Chillida

February 4 –  June 3, 2018

This spring, the Meadows Museum will present Dallas’s first exhibition dedicated exclusively to the work of Eduardo Chillida (1924–2002). Chillida, one of Spain’s most celebrated modern sculptors, is famous for his monumental iron and stone sculptures that shape both urban and rural landscapes. This exhibition includes 66 of the artist’s works, from his sculptures, to his drawings, collages, gravitations, graphic works, and a selection of his books. Co-curated by William Jeffett, chief curator of exhibitions for The Dalí Museum, and Ignacio Chillida, the artist’s son, the works in Memory, Mind, Matter: The Sculpture of Eduardo Chillida come exclusively from the Museo Chillida-Leku in Hernani (San Sebastián, Spain); the exhibition travels to Dallas from the Salvador Dalí Museum in St. Petersburg, Florida. A complimentary exhibition, Chillida in Dallas: De Musica at the Meyerson, is curated by Meadows/Mellon/Prado Curatorial Fellow Amanda W. Dotseth and will focus on the landmark commission by Chillida at Dallas’s Morton H. Meyerson Symphony Center. The two exhibitions will open on February 4, 2018, and run through June 3.

 

Eduardo Chillida, Year 1963. Photo: Budd, N.Y. © Zabalaga-Leku. ARS, New York / VEGAP, Madrid, 2017. Courtesy The Estate of Eduardo Chillida and Hauser & Wirth

 

 

Dalí: Poetics of the Small

The Meadows Museum, SMU, will present the first in-depth exploration of the small-scale paintings of Salvador Dalí (1904–1989). While many of Dalí’s canvases are known around the world and are among the defining works of the Surrealist movement, the small size of many of these works is frequently overlooked. Nearly half of the artist’s paintings during the early part of his Surrealist period (1929–1936) were actually small format works: some measuring just over a foot, and others as small as 3 x 2 in. Organized by the Meadows as part of its mission to present Spanish art in America, Dalí: Poetics of the Small will be on view at the Meadows Museum—the only venue for this exhibition—from September 9–December 9, 2018.
Read more at the Meadows website.

Salvador Dalí (Spanish, 1904–1989), The Fish Man (L’homme poisson), 1930. Oil on canvas, 10 1⁄2 x 7 1⁄2 in. (26.7 x 19.1 cm). Meadows Museum, SMU, Dallas. Museum Purchase with funds from The Meadows Foundation; Hollyand Doug Deason; Mrs. Eugene McDermott; Linda P. and William A. Custard; and Gwen and Richard Irwin, MM.2014.11. Photo by Brad Flowers. © 2018 Salvador Dalí, Fundació Gala-Salvador Dalí, Artists Rights Society

Lectures, Symposia, and Events

Thursday, March 1, 5:30 PM
purple square MUSIC AT THE MEADOWS
Oldovini Organ Recital
Larry Palmer, professor emeritus of harpsichord and organ, SMU
Enjoy these special opportunities to experience centuries-old music on an eighteenth-century organ surrounded by masterworks in the Meadows Museum’s permanent collection.
Free
Virginia Meadows Galleries

 

Friday, March 2, 12:15 PM
green square GALLERY TALK
Women of the Art World and Works of Baroque Seville
Alicia Zuese, associate professor of Spanish, Dedman College of Humanities & Sciences
Free with regular Museum admission
Jake and Nancy Hamon Galleries

 

Thursday, March 8, 6:00 p.m.
purple square SYMPOSIUM KEYNOTE LECTURE
The Medieval World in a Spanish Context
Julian Raby, Dame Jillian Sackler Director of the Arthur M. Sackler Gallery and Freer Gallery of Art
Description to come
Free; reservations required at 214.768.8587
Bob and Jean Smith Auditorium

 

Friday, March 9, 10:00 a.m.-5:00 p.m.
purple square SYMPOSIUM
The Medieval World in a Spanish Context
Ana Cabrera, Th­e Victoria & Albert Museum/Museo Nacional de Arte Decorativo, Madrid
Jordi Camps, chief curator of Romanesque art, Museu Nacional d’Art de Catalunya
Heather Ecker, principal, Viridian Projects
Charles T. Little, curator, The Metropolitan Museum of Art
Therese Martín, tenured scholar, Spanish National Research Council, Madrid
Christine Sciacca, ­ associate curator of European art, 300–1400 CE, The Walters Art Museum
Shannon Wearing, affiliate, UCLA Center for Medieval and Renaissance Studies

Organized by Amanda W. Dotseth, the Meadows/Mellon/Prado curatorial fellow, this symposium brings together international scholars on the art of the Middle Ages to explore the breadth of objects found within the context of Spanish collections, both medieval and modern. From Islamic textiles and metalwork to North African ivory, manuscripts of varied manufacture, and Scandinavian red deer antler, the materials and production methods found in Spanish contexts reflect the diversity of the medieval world.
Free; reservations required at 214.768.8587
Bob and Jean Smith Auditorium

 

Thursday, March 22, 6:00 p.m.
red square LECTURE
From Rodin to Plensa: Modern Sculpture at the Meadows Museum
Steven A. Nash, former director, Palm Springs Art Museum; founding director, Nasher Sculpture Center, Dallas
Laura Wilson, photographer, Dallas
Join us for a special double lecture as we launch the publication of From Rodin to Plensa: Modern Sculpture at the Meadows Museum. ­This beautifully designed permanent collection catalogue features new research by Nash about the objects in the Elizabeth Meadows Sculpture collection, along with artistic photographs of the sculptures by Wilson. ­The stunning images Wilson captured for this exceptional book set it apart from a typical catalogue, making it a work of art in its own right. Each will share their experiences working on the project. ­This program will be followed by a reception and book signing with the author and photographer; books can be pre-purchased when making reservations.
Free (does not include book); reservations required at 214.768.8587
Bob and Jean Smith Auditorium

 

Friday, March 23, 10:00 a.m.–4:00 p.m.
purple square WORKSHOP
Art+Feminism Wikipedia Edit-a-thon
In honor of Women’s History Month, the Meadows Museum again collaborates with The Cedars Union on a community event to teach people how to edit, update, and add articles on Wikipedia, in order to bring meaningful change to the knowledge available about female artists and art world figures, and encourage greater female editorship on Wikipedia. All are welcome, regardless of experience, gender or background. Event is come and go.
FREE; learn more and register
Constantin Foundation Seminar Room

 

Friday, April 19, 6:00 p.m.
red square LECTURE
Lightness and Rightness: Eduardo Chillida and James Johnson Sweeney in the Museum of Fine Arts, Houston
Beatriz Cordero, professor, Saint Louis University, Madrid
This lecture will focus on Eduardo Chillida’s exhibition at the Museum of Fine Arts, Houston in 1966, the first show of the Spanish artist outside Europe. In this exhibition James Johnson Sweeney, then director of the MFAH, offered an insightful view of Chillida’s sculpture. He underlined the “lightness and rightness” of Chillida’s works, as well as the artist’s roots in Spanish artistic traditions. Sweeney’s consideration of Chillida as a “tastebreaker” and as “the foremost sculptor of his generation” anticipated the later understanding of the qualities of his works.
Free; reservations required at 214.768.8587
Bob and Jean Smith Auditorium

 

Friday, April 20, 12:15 p.m.
green square GALLERY TALK
Chillida in Dallas Part I: Chillida Downtown
Jed Morse, chief curator, Nasher Sculpture Center
Free; reservations required at 214.768.8587
Nasher Sculpture Center and Morton H. Meyerson Symphony Center*
* Note: Participants will be walking between the two institutions.

 

Saturday, April 21, 10:00 a.m. to 1:00 p.m.
purple square Meadows Family Day: Founders’ Day Celebration
Visitors of all ages can explore the sculptures and works on paper of Eduardo Chillida. Activities will include hands-on 2-D and 3-D art projects, and sensory approaches engaging visitors through sight, sound, touch, taste, and smell. Enjoy special entertainment, activities, refreshments, and more!
FREE

 

Thursday, April 26, 5:30 p.m.
purple square MUSIC AT THE MEADOWS
Oldovini Organ Recital
Larry Palmer, professor emeritus of harpsichord and organ, SMU
Enjoy these special opportunities to experience centuries-old music on an eighteenth-century organ surrounded by masterworks in the Meadows Museum’s permanent collection.
Free
Virginia Meadows Galleries

 

Friday, April 27, 12:15 p.m.
green square GALLERY TALK
Chillida in Dallas Part II: Chillida in Dallas
Scott Winterrowd, director of education
Free with regular Museum admission
Downstairs Galleries

 

Thursday, May 31, 6:00-7:30 p.m.
(All dates: May 31, June 7 & 14)
red square LECTURE SERIES
Light, Camera, Landscape: The Rise of International Impressionism
Nancy Cohen Israel, art historian and owner of Art à la Carte
Technological advances in the nineteenth century made it possible for artists to work en plein air. ­The advent of train travel and tubed pigments beckoned urban artists to villages such as Barbizon and Fontainbleau. Taking full advantage of natural light, these painters started an artistic revolution. Not only did the Paris School become a magnet attracting artists from across Europe and the United States, but it ultimately sent them back to their home countries, bringing this radical new style with them. ­This series will trace the rise of Impressionism in France, the offshoots of painters in Spain and Italy, and the aftershocks that it sent throughout the West.
$40 for the 3-part series; free for Museum members, and SMU faculty, staff, and students; registration required at 214.768.8587
Bob and Jean Smith Auditorium